Much ado about Dahmer
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Evan Peters as Jefferey Dahmer. photo credit: Netflix. |
I think that Ryan Murphy is a god when it
comes to telling incredibly complex stories based on true-life occurrences. From
FEUD, to the OJ story on his AMERICAN CRIME STORY series, to DAHMER. Ryan has
mastered the art of conjoining these complexities and intricacies to deliver a
spellbinding all round look into the histories of these people he's exploring
and the lessons he wants us to pick up and learn from them.
(I) The over drugging menace of big pharma
and medical misdiagnosis i.e., Jeffrey's mom's pregnancy and depression.
(II)The effects of certain hobbies on
"neurodiverse" minds i.e., taxidermy on young Jeff.
(III)Parental negligence i.e., Jeffrey's
teen years and his mom's absconding and father's deflections.
(IV)The concept of forgiveness, absolution,
and true justice i.e., Jeff's last days in prison.
(V)Treatment of society's minorities. i.e.,
the disinterest in the security of less privileged individuals and sexual minorities.
(VI)Rehabilitation vs. Incarceration.
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Richard Jenkins and Molly Ringwald as Lionel and Shari Dahmer. |
If there's anything this show has reinforced in me, it's the ideology that Psychopathy is "genetic”, and nurture is what enhances/molds its manifestations and limits. The show also makes me grateful for the advancements in modern medicine at the same time, sad for people who lived before now and those currently in countries where there are no adequate tools to properly investigate crimes and misdiagnosis, under/overmedication largely looms and is still ruining lives till this day.
Unfortunately, despite these positives, the show has been critically panned all over with people calling out the capitalist nature of Netflix for using this story that has been repeatedly told as a "cash cow" which begs the question. How humanely do we tell stories like these?
What parts of a victim's stories should be considered off limits and how much is enough as compensation to help ease the sensibilities of family members and or individuals whose stories might appear too sensitive to tell? As researchers and storytellers, how do we take liberties with picking parts of a story we deem important, and how does this affect its authenticity?
How do we gauge the intention of the medium and appreciate the bigger picture; that all stories are important for generations to learn from?
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Niecey Nash as Glenda Cleveland. Photo credit: Netflix. |
I think while we scrutinize the processes of the creation of art/media, consumers should take full responsibility for what they consume for entertainment and consider entertaining.
Why People expect a story about people's lived traumas to be exciting. Why people make "funny memes" out of criminals, and critique those who make these despicable people icons and go as far as wanting to look like them or recreate the crimes they've committed.
Ironically,
the show highlights this in episode 9 where Dahmer's lawyer and Lionel
bitterly show contempt for comic books writers whose contents recreate graphic
details of serial murders.
Sexual minorities resident in first and third-world countries where there's little to no regard for their rights would find this show very triggering especially those who have been survivors of sexual violence themselves and or know other victims who getting justice for is impossible.
I'd rate the show a 9/10 and viewer's discretion is very much advised.
written by God'sown M
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